Ink on paper; Ink on paper, framed . After developing this lettering system, Xu Bing created a new installation piece modeled on adult literacy classes within the exhibition space. In Square Word Calligraphy, then, Xu concocted a method of making English words appear to be Chinese characters, leading Western viewers to discover with surprise that they were able to read text that at first looked entirely foreign. Commissioned by the Museum of Modern Art in New York, this work was created for the Museum's ''Project Series,'' a group of monumental banners designed by international artists to be displayed outside the entrance to the museum. Estimate . The Forest Project is an experiment of creating a self-sustaining system that will move funds from wealthy areas to impoverished areas for planting trees. With no human agency operating them, surveillance cameras produce fascinating footage round the clock. Xu Bing. Medium: Mixed media installation/ hand-printed books and scrolls printed from blocks inscribed with ''false'' characters. A chain of monkeys formed out of word shapes. This is a monograph introducing the Square Word Calligraphy, a form of writing developed by the artist and intended to fuse written English with written Chinese. Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, … The design of the carpet is similar in concept to Hui Su's Former Qin Dynasty creation the Xuan Ji Tu. The artwork is a form of “square word calligraphy”—and what is that, you might well ask? He also added a textbook, an instructional video, and a practice sheet just like those used in classroom settings. "It is a language invented by Xu Bing which consists in rewriting the Latin alphabet, giving it the appearance of traditional Chinese characters. He then hired a professional translator to translate the altered text into Chinese, making it even more incomprehensible, and subsequently published the falsified, translated article in a prestigious art magazine in China under the pseudonym of Jason Jones. For the first Singapore Biennale, Xu Bing created a prayer carpet for the Kwan-Im Temple, the largest Buddhist Temple in Singapore. A life-sized mannequin in human form, covered in false-character tattoos, was placed inside an enclosure containing a male pig, similarly tattooed. 1. Yet the overt simplicity, charm and ready comprehensibility of the work has the underlying effect of guiding the audience to open up the “cognitive space” of their minds to the implications of, and relationships between, word, concept, symbol and image. Happiness. In watching the behavior of the two pigs, we are led to reflect on human behavior.'' Solo. China has long had a tradition that “calligraphy and painting have the same origins.” Xu Bing’s Landscript, landscape-in-script, transformed the visual images of landscapes to linguistic forms, inviting the viewer to reassess the particularity of Chinese culture hidden in landscape paintings and providing a unique way to “read a scene.”, Location: Museum of Modern Art, New York, 1999; Victoria and Albert Musum, London, 2001. He begins by printing an uncut block of wood, making a sequence of prints as he carves until the image is entirely effaced. When it comes to calligraphy puzzles, few have Xu Bing’s creativity beat. The boar was covered in English words written out in Xu’s “square word calligraphy” and the sow in his fake Chinese words. On this street, the artist salvaged a group of non-representational oil paintings from the garbage, providing the catalyst for this conceptual piece. Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, suspicion, and confusion. It implies the way that Chinese people see and approach things, and why China is the way it is today – developing at this breakneck speed but not in line with the Western value system. The work simultaneously invites and denies the viewer’s desire to read the work. The Metropolitan Museum of Art. At first glance it appears to be Chinese characters, but in fact it is a new way of rendering English. No VAT will be charged on the hammer price, but VAT at 15% will be added to the … Many early viewers pored over the artwork, obsessively looking for real characters. Auction Venue/Sale Sale Date. After years of preparation, he created Square Word Calligraphy, which he often calls New English Calligraphy as he transforms English words nearly beyond recognition in the style of Chinese characters. 2011. Xu Bing’s “square word calligraphy”, at the Ullens Center for Contemporary Art (UCCA), in Beijing. Xu Bing. The Foolish Old Man Who Tried to Remove ... Square  Word  Calligraphy:  Three  Indonesian  Proverbs, Square  Word  Calligraphy:  El  bon  poble, An  introduction  to  Square  Word  Calligraphy. When the audience goes into the gallery, it is as if he or she enters a study space. The letters of an English word are slightly altered and arranged in a square word format so that the word takes on the ostensible form of a Chinese character, yet remains legible to the English reader. (14 ½ x 27 ¼ in.) For his graduation exhibition, he showed Five Series of Repetitions as well as his “Stone Series” of copperplate prints. Tobacco Project 3. Xu Bing’s studio also made a character database software that corresponds to the language of the book. Direction of writing words: left to right in horizontal or vertical lines. Special Notice. On the surface, Wu Street appears to be no more than an elaborate practical joke; yet it poses serious questions concerning the contemporary art system, the often arbitrary nature of critical language and the basis for assessing the value of art. For "The Times They are A-Changin" by Bob Dylan, Square Word Calligraphy, Xu utilized a unique script that he calls "Square Word Calligraphy" to present the lyrics to Bob Dylan's revolutionary folk ballad.At first glance, the text appears to be straightforward Chinese; but, in fact, Xu has devised a way to render English words so that they resemble the characteristic square format of Chinese. Since 2015, surveillance cameras in China have been linked to the cloud database: countless surveillance recordings have been streamed online. 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